Jan Gorjanc performs pieces of various styles for harp solo, chamber groups and orchestra. His presentation is authentic in style by studying composers’ manuscripts, researching into performance practice of the time, suitable ornamentation &c. He rewrites pieces for harp himself, to ensure that the transcription is as close to the original as possible. He also made several transcriptions of chamber music. 

 

Solo Repertoire:

J. S. Bach,  Suite No.1 BWV 996

F. Couperin, Les Baricades Misterieuses

G. F. Handel, Passacaglia, Arrival of Queen of Sheeba

M. A. Rossi, Andantin ed Allegro

D. Scarlatti, Sonata K. 27, Sonata K. 208, Sonata K. 517

J. Parry, Sonata op. 3 No. 1

F. Petrini, Folias d’Espagna, Sonata No. 2

E. Bochsa, Batti, Batti o Bel Masetto

L. van Beethoven, Sonata in G-Dur op. 49 No. 2 

M. Glinka, Variations on a theme of Mozart  

L. Spohr, Fantasie

C. Saint-Saens, Fantasie op. 95

G. Pierné, Impromptu - Caprice op. 9

J. Ibert, Scherzetto

M. Tournier, Au Matin

M. Grandjany,  Fantaisie Sur un Theme de J. Haydn

W. Posse, Konzert-Etüden No. 1, No. 2

G. Enesco, Allegro De Concert

A. Roussel, Impromptu op.21

A. Srebotnjak,  Preludij No. 4

J. Gorjanc, Étude Pédalogique GWV 3, Tragedy in Venice GWV 1-H

L. Harris, Chrysalis

 

Chamber Repertoire:

Harp and Flute:

C. W. Gluck, Orpheo: Che faro senza Euridice, Dance of the Blessed Spirits

M. Antoinette, C’Est Mon Ami 

M. Charpentier, Medeé: Quelle Prix de Mon Amour 

Harp and Guitar:

J. S. Bach, Toccata und Fuge d-moll BWV 565

A. Diebelli, Grande Sonate brilliante op. 102

J. Rodrigo, Concierto de Aranjuez, 2nd mvt.

Two or more Harps:

C. Franck, Prelude, fugue and variations

K. Masuda, Fête de Chrysanthème 

F. Poulenc, L'embarquement pour Cythère

 

Concertos:

J. S. Bach, Klavierkonzert BWV 1056

C. Wagenseil, Konzert fur Harfe G-Dur

C. Saint-Saens, Morceau de Concert Op. 154